Elf Dog and Owl Head

Lynn: Forgive me for the radio silence! I’ve been traveling and then re-grouping from traveling but I have some fun books queued up to write about. I’m starting with a completely delightful book that is perfect for classroom and bedtime read-alouds. As an aside, I’ve been eager to see what creative work came out of the COVID shutdowns and the isolation experienced by the world. M.T. Anderson’s Elf Dog and Owl Head (Candlewick, 2023) for middle-grade readers is a wonderful reflection on how many younger readers experienced that event. A lot of kids are going to be nodding their heads in total agreement.

A sickness is keeping Clay and his family at home and they have gotten on each other’s last nerve! While rambling in the woods behind his house trying to play solo frisbee, Clay encounters a beautiful white dog with startling red ears. She is, of course, magical, and in adopting her, Clay discovers the unseen magical world and secret ways that she reveals to him. It is a glorious secret and one that changes Clay’s and his family’s lives as well as that of some very unusual woodland inhabitants.

This is a wryly witty romp through fairy tale tropes including a wily wyrm, sleeping misanthropic giants, cruel fey, and owl-headed people. The character portrayals are affectionate and spot-on, particularly 14-year-old DiRossi who is treasuring her new adolescent disdain for all things familiar, especially her family. Clay, who yearns for normal and his friends, is the main protagonist, learning how to truly be a friend to someone who is not yourself and how to look beyond the expected.

Black and white pencil sketch illustrations by Junyi Wu pepper the pages, adding to the enchantment.

Dancing in my Kitchen – a Re-issue of Need a House? Call Ms. Mouse!

Lynn: I have long been cheering for the work of the New York Review Children’s Collection, re-issuing classic children’s books that have gone out of print. But when I opened one of their latest deliveries, I was dancing around my kitchen! Yes! Inside was their publication of George Mendoza’s Need a House? Call Ms. Mouse (NYRB, 2023)! Originally published by Grosset & Dunlap in 1981 the book was one of my sons’ ALL TIME favorite books and we nearly wore out the pages reading it over and over. When my grandsons came along, of course, I hauled out the book for them and they were mesmerized. I am so delighted to see this book reach a new generation of readers!

Ms. Henrietta Mouse is world famous architect, designing the perfect house for each of her woodland clients. She know just what features each creature needs, building a house that is perfectly suited for each one’s unique needs. Doris Susan Smith’s exquisitely detailed illustrations are the true highlight of the book. After introducing Ms. Mouse, shown working in her awesome office and home, each bright 2-page spread features a Ms. Mouse-designed home of a particular creature. We see Squirrel’s space-ship style airy treehouse, Frog’s tri-level lily pad, lizard’s special beach house and many more. My boys of both generations would study each design carefully, critiquing the features and marveling at the ideas. Each time we read it we would chose a favorite design, dreaming of what living in such a house would be like! Each intricate cutaway design took time to pour over as there is so much to absorb! What was better, Rabbit’s root cellar at the top of his burrow, Owl’s eyrie at the peak of a tower, complete with telescope and library or maybe Bear’s cozy den with plenty of honey storage space?

Doris Smith’s bright and imaginative illustrations are just the same but Mendoza’s text has been updated a bit. I’m not sure it was necessary. After all Ms. Mouse was already setting an example as a brilliant professional female with a successful business of her own! The changes are slight happily and this is a gem of a book deserving a new audience of young architects, designers, nature lovers and all young readers who love masterful illustrations! Thank you New York Review for this treasure!

Do Images Tell the Truth? Seen and Unseen Takes on that Question for Kids

Lynn: Do photographs always tell the truth about history? I believe most students will answer yes to that question but Elizabeth Partridge’s brilliant book Seen and Unseen: What Dorothea Lange, Toyo Miyakaki, and Ansel Adams’ Photographs Reveal about the Japanese American Incarceration (Chronicle, 2022) explores just how misleading photographs can be. Partridge presents a shameful part of American history as seen through the lenses of 3 outstanding photographers, each seeing those historic moments in a different way. Are any of them wrong? It is an extraordinarily effective way to help students look with a critical eye at images—historic and current—and one of the most necessary skills young people need to develop today.

Partridge chose three period photographers: Dorothea Lange, Toyo Miyatake, and Ansel Adams. All three took photographs at Japanese American Incarceration camps during WWII. Each brought a different focus to their work. Lange despised the whole concept of the incarceration of Japanese Americans. Famous for her Depression-era photos, the U.S. Government hired Lange to show that the program was being carried out in a “humane and orderly” way. Lange saw it differently, believing that what was happening was unfair and undemocratic. But the officials in charge disapproved of most of Lange’s photographs and from early in the project a soldier trailed her and she had to work within strict parameters. When she turned in her photographs, many of them were impounded and disappeared into archives for 50 years.

Toyo Miyatake was a professional photographer and after being incarcerated at Manzanar, he built his own camouflaged camera and took secret photos of the conditions of the camp. His photos showed much that Lange had been forbidden to photograph but those photos were rarely seen at the time and are still held in a private collection.

Ansel Adams, known for his incredibly beautiful landscape photography, was also hired to reassure the public. He came into the project not particularly opposed to the incarceration. Now close to the end of the war, there was great concern about how the Japanese Americans would be treated on release. Adams was asked to record images of hard-working, loyal, and cheerful people, which was how he saw them. Posing his subjects, Adams’ photographs concentrated on smiling people against a stunningly beautiful desert setting.

The work of all three photographers is used throughout the book but the book is also beautifully illustrated by the work of Lauren Tamaki, who is of Japanese descent. I wished strongly for more photographs to have been used but the book is nevertheless deeply effective and thought-provoking. It is the rare reader who won’t come away thinking about this book and the many issues it raises.

There is extensive and important back matter included too, with essays on issues such as the violation of rights of the Japanese Americans incarcerated, the issue of the official language used and its impact on the public, information on what happened to those incarcerated after the war, and biographies of the 3 photographers.

While understanding and evaluating images is the major focus of the book, Partridge also takes on other important issues such as the incarceration of Japanese Americans and the issues surrounding that action and its long impact. Seen and Unseen received many well-deserved accolades including the Robert F. Sibert Informational Book Medal for 2023.

Dealing with Trauma – Erin Bow’s New MG Book about Life After the Tragedy

Lynn: Students and teachers across our country have seen active shooter drills become a regular event. All of us have reeled with the reality of school shootings in our nation and most of us cannot understand the senseless deaths of the innocents who have fallen to this epidemic. Why the issue of guns cannot be dealt with is a gaping wound. But here’s another important question to ponder. What happens AFTER the tragedy to the children who somehow survive it? Erin Bow addresses this tragically relevant question in her newest book, Simon (Sort of) Says (Disney/Hyperion, 2023).

Twelve-year-old Simon is the lone survivor of a horrific school shooting and after a year of therapy and home-schooling, is returning to school. But this school is in the town of Grin and Bear It, Nebraska where Simon and his family are making a fresh start. Simon wants to put the shooting behind him and he also wants to put the incessant media focus behind him with the looks, the whispers, and the sympathy. He just wants to fly under the radar and be a normal kid.

Grin and Bear It is the ideal place because it is a National Quiet Zone where internet, cell phones, TV, and all media are banned in order to not interfere with the Radio Telescope arrays and the astrophysicists listening for signals from space. It couldn’t be more perfect. He makes friends, acquires a service dog puppy to socialize and things are looking good. Simon is a bit concerned about his friend Agate’s intentions of providing an alien message to encourage the scientists whose funding may be in jeopardy and he suspects his teacher may know about his past from the sorrowful looks she gives him. Mostly life seems to be going as he hoped. But Simon should know from experience that life seldom does what you expect.

This is an extraordinary character-driven story with moments of hilarity and a cast of characters so richly developed that they feel like family. The humor is perfectly dialed in for tween readers and some of the action is rather manic—also perfect for the tastes of young readers. But the core of this story is a subject tragically timely and handled with masterful sensitivity and ringing with truth. What is it like to live with such terrifying trauma and what is it like to be the object of overwhelming pity? What does it feel like to be reminded every minute of the past by the reactions of strangers to your very presence? Through Bow’s skillful and sensitive prose, readers experience what Simon feels and the experience is shattering. I know I will never think about trauma and the reactions to trauma in the same way.

On a lighter note—I loved the portrayal of the adults in the story—particularly Simon’s parents who have also suffered trauma and are recovering in their own ways. Simon’s coffee-loving mortician mother and deacon/sackbut playing father are worthy of a book by themselves as are his friends, Agate and Kevin. The cover of this book picks up on the humor in the story but I think it misses the deeply empathetic focus of the book.

This is an early-in-the-year publication but I think it will reside firmly at the top of my best list this year. Brilliantly written and immensely entertaining as well as perception-changing, this incredible story deserves awards.

Who Doesn’t Love Sloths? Check Out these New Picture Books

Lynn: I’ve yet to meet anyone who doesn’t smile upon seeing a picture of a sloth and I guarantee the two books in today’s post will spend very little time on the library shelf! There is something about these unique and fascinating creatures that we humans respond to immediately.

Happy Sloth Day (S&S/Beach Lane, 2022) by the acclaimed author April Pulley Sayre and photographer co-author Jeff Sayre. This wife and husband team spent 8 years photographing sloths in the Panamanian rain forest and learning about this truly amazing animal. The book is a terrific blend of poetry, eye-catching photographs and solid factual information. It is wonderfully child-centered in every way. The poetry is a delight to read aloud, loaded with vivid colorful language.

A tree is a sloth salad

Rip! Snip! Chew. Chew”

Jeff Sayre’s photographs are masterful and a real joy to see. Since these creatures live high in the rain forest canopy, the sheer difficulty of the photographic work is especially notable. Sidebars provide extensive factual information about the sloths and the creatures they interact with. In the back matter, two pages of additional sloth science is presented. This is an absolutely delightful book to read for pleasure and equally well suited to non-fiction reading and reports.

The Adventures of Dr. Sloth: Rebecca Cliffe and Her Quest to Protect Sloths (Millbrook, 2022) by Suzi Eszterhas.

Another outstanding wildlife photographer and author, Suzi Eszterhas also has a fascinating book with enchanting photographs and solid factual information about sloths. Her book, however, focuses on a scientist who is currently doing ground-breaking work studying this complex animal. Very little was actually known about sloths, partly because studying them is a difficult challenge. Eszterhas and Cliffe have become friends and the book presents an excellent look at what the work of a biologist is really like from examining sloth poo, to scaling giant trees to creating sloth backpacks to track and record daily activities of a wild sloth.

Cliffe, who wanted to be a scientist from a very young age, is also deeply involved in sloth conservation as these amazing creatures are threatened in their habitats.Information is provided on how young readers can help protect sloths and back matter includes a glossary, and list of additional resources.

These two outstanding books are must purchases and will have instant waiting lists!

“A Double Dose of Hard” – a New Middle Grade Book About Figuring Out the Rules of Life

Lynn: Lawrence and his family have had a “double dose of hard” lately. In Chrystal D. Giles new book, Not an Easy Win (Random, 2023), Lawrence’s dad is in prison, he, his mom and sister have had to move three times since and now are staying with their unwelcoming grandmother. In his new school, where Lawrence is a rare boy of color, the bullies line up to beat him up and as the story opens he is expelled for fighting. His mother negotiates his finishing 7th grade in an online program and he has to spend the day working at the rec center, an after-school program for kids. There, Lawrence discovers a chess program, a group of friends, and an enemy who might have been a friend..

Giles puts readers squarely in the shoes of 12-year-old Lawrence, doing a masterful job of walking us through the painfully authentic emotions of this endearing tween struggling to understand his upside down world and find his way. Lawrence feels that somehow everything that has happened to his family is his fault while at the same time, he is sure he is being blamed unfairly for everything – a feeling that will connect with 6th graders everywhere. Fascinated by the game of chess, Lawrence develops not only the skills for the game but for managing his temper and dealing with the issues in his life. It is done with great finesse and Lawrence’s progress and set-backs feel true.

The entire cast of characters is vivid and fully rounded from his stressed cranky grandmother, to the kids at the rec center and even to his absent father. Lawrence and his hard-fought wins are as heart-warming as they are believable. I was rooting for him from page one and so will very reader! Check!

A Grandmother’s Love – Jordan Scott’s New Picture Book

Lynn: There is a saying that goes, “If nothing is going well, call your Grandmother.” Cliches develop for a reason. There is usually real truth behind each saying and as a Grandmother myself, I am here to tell you that the love between a grandparent and grandchild is a special thing. Each relationship is unique of course but for many that bond is as fundamental as breathing and bone deep. There are countless picture books about this relationship and I am continually awed by their sheer range of creative exploration. Proving my point is the new book by poet Jordan Scott and illustrator Sydney Smith, My Baba’s Garden (Holiday/Neal Porter, 2023). This is the team that created the award-winning book I Talk Like a River (Holiday/Neal Porter, 2020).

Here, a young boy remembers being taken each morning to his Grandmother’s small house to eat breakfast and then be walked to and from school. The two talk little but much is communicated between the pair in gestures and small moments. Told in beautiful simple sentences, the boy relates his Grandmother’s habits of scooping up bits of spilled oatmeal, kissing the food, and placing it back in the boy’s bowl. Together they slowly walk to school, stopping to pick up worms they find on the sidewalk and placing them safely in a carried jar of dirt. In the garden after school, they gently release the worms into the rich soil.

Some time later, the boy’s grandmother moves into the house with them. Now the boy brings her breakfast and in a heart-melting series of panels, he kisses an apple slice and hands it back to her, returning her gift of tenderness.

Scott relates in a preface that his grandmother came from Poland where she suffered greatly and had little food. Like so many of that generation, love was expressed through cooking and sharing food and in the small gestures of caring. The text reflects these evocative glimpses of memory: a bowl of oatmeal so large he thinks he could swim in it, the cozy kitchen filled with food stored everywhere, the sights and scents of the garden in the sun. In turn, Sydney Smith’s illustrations also capture these memories in panels of varied sizes: two hands clasping, one old, one young, a slicker-clad boy waving to a figure gazing down from a window. Several of these sequences are wordless, as Smith skillfully extends the story, illuminating the bond between the two.

My Baba’s Garden is an exquisite and deeply moving book for all generations and a brilliant example of how words and pictures can work together to form something bigger than both. And—I dare you to read this without crying!

Moira’s Pen – Revisiting a Fantasy Classic World

Lynn: Just before the holiday, a package arrived from a publisher—a not unusual and yet always exciting event. Moira’s Pen (Harper/Greenwillow, 2022) by Megan Whelan Turner was inside. I saved it to savor till the quieter days of January and I’ve been sauntering blissfully through. It is a true gift for all readers who love the series, The Queen’s Thief.

Moira’s Pen is a collection of short stories, musings on past real-life experiences, and reflections by the author about some of the inspirations for the elements in the books. None of the new stories change the overall satisfying conclusion of the series but rather they provide more insight into the events and characters readers have loved. Turner’s writing is so evocative that I was instantly able to settle back into the world of the Thief and I enjoyed every word. This IS a gift to readers who know the world and love the series.

What prompts me to write about this book though is a complaint I read on Goodreads from a young reader who had not read the series and was more than a little confused by this collection. There are masses of fantasies being published and I am sure there are many readers who have not read Turner’s award-winning series. It began with The Thief (Harper/Greenwillow, 1996). It won a Newbery Honor and the Mythopoeic Fantasy Award for Children and it set the stage for a remarkable series of seven books, each one building on the last and expanding the reader’s understanding of the world and its memorable characters. There isn’t much that Megan Whalen Turner doesn’t do well in her writing: complex plots, richly developed characters, and superb world-building. As the series moved along, its themes and character studies deepened. Each new book was a gem and never once did Turner underestimate her readers.

So—if this series is one you’ve missed, FIND it and begin reading. If you have read it, get Moira’s Pen and revisit it. Like me, I’m sure your next step will to be start again at the beginning of the series and read it all over again. If you miss me, I’m busy with Gen and the world of Attolia!

One Last Shot – Introducing Gerda Taro to YA Readers

Lynn: One important tenet of reviewing books is that you review the book you have not the book you WISH you had. I’m running aground a bit on staying with that in my consideration of Kip Wilson’s new verse novel, One Last Shot: The Story of Wartime Photographer Gerda Taro (Harper/Versify, 2023).

Wilson introduces readers to a young Gerta Pohorylle who has immigrated with her Jewish family to Germany. Gerta was a bright student who learned early to live two very separate lives, downplaying her Jewish faith, but keenly aware of a feeling of being “other.” Gerta was drawn early to oppose the growing repression of the fascism coming to power in the 1930s and worked actively for workers’ rights. After being arrested and held for 3 weeks by the Gestapo, Gerta and her family made the decision for her to leave Stuttgart and move to Paris. Struggling to survive, Gerta met and connected with other leftist young people, growing more and more involved with working against fascist regimes. It is during this time that she met and fell in love with Andre Friedmann. Andre sparked her passion for photography and the power of photojournalism and she practiced intensely with any camera she could borrow. It was during this period they adopted the names Gerda Taro and Robert Capa.

Wilson uses free verse to tell Taro’s story and the verse is wonderfully written. Vivid and evocative, it is written in present tense and provides snapshots of time, Gerda’s feelings, and reactions to the intensity of the events unfolding around her. Wilson does an excellent job of presenting Taro as a fierce, independent, and exuberant spirit determined to make her own way. She also provides the extremely complicated historical background of the time. Is there ANY period in history more convoluted than the Spanish Civil War??? I think Wilson gives teens an excellent grasp of the major issues of the period without slowing the pace of the narrative. So—I see real value in this book in that I think Wilson introduces an extraordinary talent to another generation and I hope they will be motivated to seek more information.

And here is where I veer from the path of reviewing. Wilson discusses in the back matter that while “sticking to the basic facts she has fictionalized Gerda’s thoughts, feelings, interactions, and correspondences.” For me, this emphasizes a perception of her spirit and the result is that so much is left unexplored or only briefly mentioned and those things are large in importance. Taro is pivotal in the development of modern photojournalism, she was a major talent in news photography and many of the philosophical decisions she and Capa made shape our view of photojournalism today. I would have liked to see this explored much more. And there is something missing when a book about a photographer contains no photographs!

I would like to suggest pairing this verse novel with the brilliantly written and documented book by Mark Aronson and Marina Buhos, Eyes of the World: Robert Capa, Gerda Taro, and the Invention of Modern Photojournalism (Henry Holt, 2017). Suggest this book to students wanting a deeper look at Gerda Taro, and some of her revolutionary photographs.

Scieszka’s Dada Nonsense to Send Off 2022

Lynn: I have a tendency toward morose reflection in the last week of a waning year. An antidote is needed and I found an outstanding one in Jon Scieszka’s The Real Dada Mother Goose: A Treasury of Nonsense (Candlewick, 2022). This delightful book is just what the reading doctor prescribed for diverting gloom and eliciting laughter.

Just to refresh: Dada is creating art through humor and absurdity. And what could be better to take us smiling into the New Year? Scieszka takes his start with the classic collection The Real Mother Goose by Blanche Fisher Wright, published by Rand McNally in 1916. Trust me, it is just the platform for an incredible dive into what imagination and humor can do. Scieszka chose 6 well-known Mother Goose Rhymes. He begins each of 6 chapters with the original rhyme and then follows with Dada word play on the rhymes. Hey Diddle Diddle, for example, has the Dada treatment applied with a Haiku, a recipe, a Pop Quiz and a map. Hickory Dickory Dock appears in Egyptian Hieroglyphs, a Crossword puzzle and an “N + 7” code. Each new poem is a puzzle and each is a wonderfully clever.

Julia Rothman’s illustrations are done in mixed media. They are created in the style of the original Mother Goose book but, using Dada style, she includes whimsical touches including a yellow goose that appears throughout the book. The book design too is masterfully done making it appealing, easy to read and to appreciate the many details while also giving a nod to the reader’s sense of the absurd.

Also provided are Notes on all the forms, puzzles and codes used throughout the book. These are really fun to read and it is impossible not to want to instantly start creating your own versions. Included here too is a Mother Goose history and information about Blanche Fisher Wright.

This would be a fantastic book to use in a language arts classroom to read aloud, as a sponge activity with real value and as a writing prompt. I guarantee it will take you into the New Year smiling.