Lynn: If you thought there could be nothing really new in alphabet books, think again! Alphabet books have been some of the very earliest in the history of picture books but authors and illustrators continue to bring their boundless imaginations to this topic. We have two of special note to review today and I’m leading off with an exceptionally original book, The Invisible Alphabet (Penguin/Rise, 2020) by Joshua David Stein.
Here Stein and illustrator Ron Barrett present their fascinating take on an alphabet representing things not seen. A is for Air, C is for Clear, E is for Erased and J is for Just Missed It. This is a conceptual breath of fresh air (B is for Brilliant), a nudge to children’s imaginations, and a unique approach to thinking about the alphabet for kids who have the knowledge solidly acquired.
On solid white backgrounds, Barrett used pen and ink and added bright orange in Photoshop to create fascinating scenes depicting something unseen or actions happening off the page. A drawing of an empty birdcage with an open door and a small orange feather is captioned F is for Freed. An exploding orange balloon illustrates P is for Popped and 2 blank pages represent N is for Nothing.
Each page turn is fascinating, challenging kids to think about this familiar concept in a totally new way. Every scene asks readers to imagine what has already happened. This is absolutely ideal for use as writing prompts or story starters in classrooms of all ages of students.
W is for WOW!
Cindy: ABC Animals (Peter Pauper, Oct. 15, 2020) by Christopher Evans is stunning. Each spread of the books features a letter of the alphabet and an animal whose name starts with that letter. On the left are the large capital letter, the name of the animal, and a silhouette of the animal in what appears to be scaled to size in comparison with each animal in the book. At the top of that page are two sets of upper and lower case letters, one in a serif font and the other in a more modern style. Both sets are positioned on a lined and dashed line space resembling those in a writing practice book. I could see young readers practicing their own letters on the space between the two sets! The Robin and the Quetzel are perched on those lines like wires while the Orangutan swings from them. On the facing page is a digital woodcut of the animal representing the letter. A for Alpaca, B for Badger…H for Hedgehog, etc. until Z for Zebra. What is a digital woodcut, you ask? Good question. Lynn and I aren’t sure we completely understand, but Evans says it is the “modern-day equivalent of wood engravings…images drawn by hand in an illustration software, point by point, and shape by shape.” Whatever they are, we are agreed that they are gorgeous. Each one is presented on a contrasting color background. If I were an early elementary teacher I would buy three copies of this book. One for students to read, and the other two to cut up and post around the perimeter of the classroom or on a bulletin board. Aspiring graphic artists will want a copy of this book as well. Brilliant.