Tag: Photojournalism

One Last Shot – Introducing Gerda Taro to YA Readers

One Last Shot by Kip WilsonLynn: One important tenet of reviewing books is that you review the book you have not the book you WISH you had. I’m running aground a bit on staying with that in my consideration of Kip Wilson’s new verse novel, One Last Shot: The Story of Wartime Photographer Gerda Taro (Harper/Versify, 2023).

Wilson introduces readers to a young Gerta Pohorylle who has immigrated with her Jewish family to Germany. Gerta was a bright student who learned early to live two very separate lives, downplaying her Jewish faith, but keenly aware of a feeling of being “other.” Gerta was drawn early to oppose the growing repression of the fascism coming to power in the 1930s and worked actively for workers’ rights. After being arrested and held for 3 weeks by the Gestapo, Gerta and her family made the decision for her to leave Stuttgart and move to Paris. Struggling to survive, Gerta met and connected with other leftist young people, growing more and more involved with working against fascist regimes. It is during this time that she met and fell in love with Andre Friedmann. Andre sparked her passion for photography and the power of photojournalism and she practiced intensely with any camera she could borrow. It was during this period they adopted the names Gerda Taro and Robert Capa.

Wilson uses free verse to tell Taro’s story and the verse is wonderfully written. Vivid and evocative, it is written in present tense and provides snapshots of time, Gerda’s feelings, and reactions to the intensity of the events unfolding around her. Wilson does an excellent job of presenting Taro as a fierce, independent, and exuberant spirit determined to make her own way. She also provides the extremely complicated historical background of the time. Is there ANY period in history more convoluted than the Spanish Civil War??? I think Wilson gives teens an excellent grasp of the major issues of the period without slowing the pace of the narrative. So—I see real value in this book in that I think Wilson introduces an extraordinary talent to another generation and I hope they will be motivated to seek more information.

And here is where I veer from the path of reviewing. Wilson discusses in the back matter that while “sticking to the basic facts she has fictionalized Gerda’s thoughts, feelings, interactions, and correspondences.”  For me, this emphasizes a perception of her spirit and the result is that so much is left unexplored or only briefly mentioned and those things are large in importance. Taro is pivotal in the development of modern photojournalism, she was a major talent in news photography and many of the philosophical decisions she and Capa made shape our view of photojournalism today. I would have liked to see this explored much more. And there is something missing when a book about a photographer contains no photographs!

I would like to suggest pairing this verse novel with the brilliantly written and documented book by Mark Aronson and Marina Buhos, Eyes of the World: Robert Capa, Gerda Taro, and the Invention of Modern Photojournalism (Henry Holt, 2017). Suggest this book to students wanting a deeper look at Gerda Taro, and some of her revolutionary photographs.

True Courage and a New Leica – YA Nonfiction – Close-up On War

Lynn: close up on warDid you ever wonder where the term “snapshot” comes from? Mary Cronk Farrell includes this tidbit (from the sound made as a picture was taken and the film advanced) in her outstanding new book, Close-Up on War: the Story of Pioneering Photojournalist Catherine Leroy in Vietnam (Abrams/Amulet, 2022). This fascinating book is also a snapshot – a captured picture of a pivotal time and the determined woman who recorded it on film for the world to see.

French woman Catherine Leroy was just 21 years old when she arrived in Vietnam in early 1966. She spoke limited English, carried a new Leica camera she was still learning to use, and she was determined to make her way in what was then a man’s world of photojournalism. Barely 5 feet tall, slim and blonde, Catherine’s appearance belied her fierce ambition, persistence, initiative, and courage.

Farrell begins the book with an excellent and succinct overview of the history of Vietnam and the decades of conflict that had beset the area giving young readers a necessary background for a war that, while still painfully present for many of us, is ancient history to teens. Into this chaotic stew, Catherine Leroy arrived and the book then follows her from her early months struggling to win respect, get jobs, and make her way to the action. Farrell uses a wealth of primary sources including Catherine’s own letters to her mother, accounts from people who knew and worked with her, her articles, and a treasure trove of photographs.

Catherine was extremely humble and always gave credit to others but through these many sources, Farrell creates a sharp image of a remarkable woman, her struggles, obstacles, battle experiences, and the price she paid for her achievements. In her groundbreaking work, Catherine Leroy put an up-close and personal face on the distant war in Vietnam. She brilliantly caught the suffering and the human impact in her photography and brought it into the living rooms of America. Her work helped to align public understanding with the reality of that horrible war.

Wonderfully written and documented, Farrell has brought this important story to today’s young readers in an account that feels as if it is happening before our eyes. The included back matter is excellent. It includes an Author’s Note, lengthy glossary, timeline, and source notes. There is also a remarkably clear explanation titled “How a Camera Worked in 1960s” that will be eye-opening to teens accustomed to digital photography.

There are so many extraordinary photographs included in the book. Some are of Leroy, many are taken by her, and others are taken by others at the time. Abrams/Amulet has done an excellent job of book design and reproduction and this collection adds extraordinary interest and value to the book.

I am long-time admirer of Catherine Leroy and her work and of photography and photojournalism in general. For teens interested in these subjects, or in history or women’s history this is highly recommended. It will be an excellent resource for high school and college history classes as well.