Lynn: One of the things I love most about the world of books—and children’s books in particular—is the way authors keep crafting new stories from the past that connect deeply to the events of the present. There is no better way for readers to learn about history and its driving forces and to realize that those same forces impact us still. Michael Morpurgo’s new book, The Day the World Stopped Turning, (Feiwel, 2019) is a shining example of that. There have been thousands of books written about WWII (and we have read a LOT of them) but Morpurgo tells a story that is fresh and unique and one that shines a beam on today’s issues in a way that will resonate with young readers.
Morpurgo uses an unusual structure for a book for middle schoolers. The framing story is that of Vincent Carter, an adult over 50, looking back briefly at his youth and then at his decision as an 18-year-old to leave home and travel to the south of France, following the path of the artist who inspires him, Vincent Van Gogh. He is further motivated by a childhood story about the wisdom of following the bend in the road to wherever it takes him. While walking in the isolated marshy area of the Camargue, Vincent falls seriously ill and collapses. He is rescued by an autistic man, Lorenzo, and taken back to a farm by the beach where Lorenzo and his companion Kezia nurse Vincent back to health. It is here that that heart of the story lies. As Vincent gradually regains his health, he becomes curious about his rescuers and their mysterious history. The narration then shifts to Kezia as she slowly relates their story that begins in 1932, of Lorenzo and his farmer parents and of Kezia only child of Roma parents who moved from town to town with their beautiful carousel. As Kezia grew older, her parents decided to stay in the town near the farm so she could go to school. The war is on, France has been defeated and the Vichy government rules the Camargue but for the most part, the war has left the area relatively untouched. All that ends one day when the Germans roll into town to set up fortifications on the beach and to stay. Lorenzo’s parents know that Roma people are being rounded up and they offer to hide Zezia and her family on the farm. This decision will forever change the lives of the two children, their families, and the town. And the story, as Kezia tells it, will forever change Vincent’s life as well.
This is a quiet tale and although there are great tension and suspense, the story allows time for readers to absorb and to reflect. It is a story about the issues of racism and hatred, of war and fear. But it is also an uplifting story of the greater power of friendship, kindness and love, courage, and the enduring nature of doing what is right. The setting will be unfamiliar to most American students but the lyrical writing brings this remote and beautiful place to life. The narratives are an interesting blend of adult and child perspectives with the framing voice adult and the WWII sections of the book in young Kezia’s voice. This device brings added emphasis to the central story and puts readers firmly in the shoes of the children experiencing the events of the occupation. The parallels to issues in the headlines today are stark and kids will readily make the comparisons and come to their own conclusions.
This book is not for every kid but it offers rich rewards for a mature and curious reader ready to try something different.