A Picture Book about Hineographs – Changing Child Labor

Lynn: My introduction to Lewis Hine came through Russell Freedman and his memorable book, Kids at Work: Lewis Hine and the Crusade Against Child Labor (Clarion, 1994). It was a book we used constantly in our middle school collection and the photographs in it have always stayed in my mind. I have seen very few if any books for students since Freedman’s book and the issue of child labor is still a problem in the world today. So I was truly excited to learn about a new book about Hine, this time a picture book, The Traveling Camera: Lewis Hine and the Fight to End Child Labor (Getty, 2021) by Alexandra S. D. Hinrichs.

Basing her text on Hine’s letters, reports, and photo captions, Hinrichs introduces young readers to Lewis Hine and his pivotal work, photographing child workers all across America in the early 1900’s. Hired by the National Child Labor Committee in 1908 to take pictures to bring awareness of the horrendous conditions children worked in. His jarring photographs helped to bring about legislation to protect children in this country. Having worked himself as a child, Hine became a teacher, then a photographer, eventually working for the Red Cross. His work was critically important in changing public opinion but sadly it was gradually forgotten until long after his death.

Hinrichs does an excellent job of bringing Hine and his work to life for kids today. As an amateur photographer myself, I especially appreciate the background she provides on the awkward and heavy equipment Hine had to use. For kids used to point and click cameras, the process will be eye-opening as is the information about Hine having to disguise himself in order to get into work places to get his pictures. Well written, and beautifully illustrated by Michel Garland, this is a terrific book to add to all collections.

Cindy: On the opening page of the book is a quote by Hine under his own portrait photograph defining his goals with photography. He met them both:

There are two things I wanted to do.
I wanted to show the things that had to be corrected;
I wanted to show the things that had to be appreciated.

Illustrator Michael Garland does a beautiful job with his combination of digital and traditional pastel and sepia-toned paintings, many of which are “snapshots” of the scenes behind Hine’s photographs. A sliver of each page spread holds the free verse poetry that tells “a big story/in a small space” as did the photographs of these children at work. The rest of the page is given to the visual story, in a design that is very appropriate for the subject.

For readers who haven’t seen Hine’s work, the story ends with a spread of some of his photographs. Others are sprinkled throughout the backmatter. There’s a Note to the Reader with information about child labor and other topics related to the book. A Time line of Hine’s life and child labor in the US is included as well as a good list of selected sources and quotation sources.

Older students interested in the subject should also get their hands on Susan Campbell Bartoletti’s child labor books, Growing Up in Coal Country (Houghton Mifflin, 1996) and Kids on Strike! (Houghton Mifflin, 1999). This is a world-wide problem that isn’t going away. I’m grateful for the photographs and the books that help “show the things that (have) to be corrected.”

Unsolved Case Files: D.B. Cooper

Cindy: Have we got a new series for you to put on standing order! Escape at 10,000 Feet (Balzer+Bray/HarperAlley, March 2020) by Tom Sullivan is the first book in the new Unsolved Case Files series based on real FBI cases. This graphics-intensive nonfiction title features the D.B. Cooper case, the only unsolved U.S. airplane highjacking case. On Nov. 24, 1971 a man in his 40s wearing a business suit and carrying a briefcase entered the Portland International Airport and bought a $20 one-way ticket to Seattle. Once seated in the back of the plane he lit a cigarette and handed a note to a flight attendant. The note?

Miss, I have a bomb here and I would like you to sit next to me.

From there, readers not familiar with the case learn about D.B. Cooper’s demands, the heist of $200,000, and the decades-long search for Cooper and the money. Young readers will be riveted with the details, including the astounding discovery of $5800 of the marked bills by an 8-year-old boy in 1980. Did Cooper survive the jump? If so where is he, and where is the rest of the money? A year or so ago a sixth-grade boy asked me if I had any books about D.B. Cooper. I wish I’d had this book then. The next in the series is Jailbreak at Alcatraz (Sept. 2021). I can’t wait!

Lynn: I know that there is crime and possible death at the heart of this unsolved crime but honestly, what a total hoot this book is!! Today’s kids are far too young to remember the show Dragnet but Tom Sullivan writes with a terrific deadpan Dragnet’s “Joe Friday” voice that is perfect for the topic. OK—most of you faithful readers are probably way too young to remember Dragnet too. So just take my word for it, this is Joe Friday with a sly sense of humor. Since this unsolved crime took place in 1971 when a LOT of things were different, Sullivan had to provide some background information for kids. The hijacker, for example, simply carried his briefcase/bomb on board with him, so one sidebar explains that, yes, in 1971 you just walked on a plane without ever having your baggage security checked. After settling into his seat, the hijacker ordered a drink, lit a cigarette, and handed a note to the stewardess. Here the sidebar assures readers that in 1970 people could smoke anywhere as astonishing as that sounds today. Sidebars also add a wild assortment of related ephemera that is irresistible, such as a diagram of the critically important rear staircase or what all the markings are on a $20 bill or a map of where the 3 bundles of marked bills were found nine years later by some campers.

I love the illustrations in this graphic novel too. Not to mix my references but the style reminds me of another icon of my childhood, the comic Dick Tracy, the crime-fighting hero with a geometric square jaw and unsmiling visage. The drawings are a perfect match to the just-the-facts, ma’am text. I read this in galley so I haven’t yet seen the promised photos from the FBI Files on the case that are to be included in the finished copy but I’m eager to.

Elementary and middle school librarians—you are going to need a zillion copies of this book to meet demand once the kids see it!

Young Readers Meet the “Maestro of Glass” – World of Glass: The Art of Dale Chihuly

Lynn: The team of Jan Greenberg and Sandra Jordan have brought a wonderful array of artists to the attention of young readers in their many books including Andy Warhol, Louise Bourgeois, Frank Gehry, Martha Graham and Vincent Van Gogh. I’ve found all the team’s books fascinating but their new book has to be my favorite yet. World of Glass: The Art of Dale Chihuly (Abrams, 2020),

This visually spectacular book is an excellent meshing of biography, introduction to the singular creative process of glassblowing, and an exploration of Chihuly’s work and series. The authors do an excellent job of presenting a complex and unusual subject in terms appropriate for younger readers without oversimplifying it. Greenberg and Jordan were able interview Chihuly extensively in his studio and the result is a fascinating look at this extraordinary artist. The text is peppered with Chihuly’s comments and reflections and has a terrific in-person feel to it.

And as it should, the book is as much photographs of Chihuly’s work as it is text. It is a stunningly beautiful book and masterfully designed, featuring color photographs, many full page. Some show Chihuly and his team at work, some are historical from his early life but most are of the gorgeous glass artwork in sites, installations, and museums. To see something created by Dale Chihuly is an unforgettable experience and this book will delight those already familiar with his work and will surely create new admirers. I learned a lot and esteem this artist all the more. I will never forget the Chihuly installation at the Frederick Meijer Gardens. It drew throngs of people and my young grandsons and I made multiple visits. They begged for repeat visits and what Grandmother could say no to that?

Cindy: Imagine with me. A family visits an outdoor exhibit of Dale Chihuly’s art and then spots this book in the gift shop. Mesmerized like Lynn and her grandsons, they buy the book and discover it is one that the whole family will look at again and again. They learn about the whole team behind Chihuly who help create his visions in thousands of pieces of blown glass. Glimpses into the studio of the glass blowing process are fascinating and often look more like circus acts than artistic creation. They see the protective suits worn to carry the new HOT creations to an annealing oven where they might cool for twenty-four hours. They read about the team of 30 that travels with him and the 100 local workers he hires to help install the many pieces of glass into the stunning completed work. Included in the story is the heartbreak of Chihuly losing his brother, his father, and one eye in tragic events and the loving support of a mother who encouraged a wild young boy to be who he needed to be. It’s a book to return to as many times as you long to return to a Chihuly Exhibit once you’ve seen one. I had the joy of seeing some of his same works exhibited in two very different environments, first at the Phoenix Botanical Garden, and then again in Grand Rapids, Michigan with Lynn at our exemplary Frederick Meijer Gardens. It was fascinating how different the glass looked among cactus with desert mountains behind compared with our green, wooded, and water landscapes. If you get out our way, you can see “Lena’s Garden” a glass flower ceiling in the cafe and the “Gilded Champagne Glass Chandelier”, both worth the visit. Of course, not every kid will have the opportunity to see these sculptures in the wild, or to purchase the book, so libraries, once again, will open new worlds and ideas and experiences for everyone. Stock up. Jan and Sandra, we already can’t wait to experience your next book!

Chance – Uri Shulevitz’s Story of Survival and Hope

Lynn: Survival in desperate times is often a matter of chance as Uri Shulevitz says in his new book, Chance: Escape from the Holocaust (Farrar, 2020). But as in all things in life, there is much more to Shulevitz’s story. This book is a searing tale of horrifying privation but it is also about determination, love, and the start of an artistic life.

When Uri Shulevitz was only 4, the Nazis attacked Poland. Uri’s father fled into Russia and the plan was for Uri and his mother to join him later. In a brief period when the borders remained open, Uri and his mother traveled by smuggler’s truck from German-occupied Poland into Russia, joining his father in Bialystok. Escaping from the Nazis was an incredibly fortunate act but this still was the beginning of 10 years of horrifying oppression, extreme poverty, disease, and starvation. Denied employment except in labor camps, the family traveled to a settlement north of Arkangel on the Baltic Sea, east to Turkestan, and in 1945, an equally harrowing journey back to Warsaw and eventually to Paris.

Shulevitz writes for a young audience and he forges a remarkable combination of an honest picture of the reality in language and images appropriate for the audience and manages somehow to never be overly graphic. Shulevitz speaks straight to the reader and his choices of small vignettes move the story forward while also skillfully giving youngsters the tools to understand the unimaginable.

“Hunger is hard to describe to someone who hasn’t experienced it,” he writes.

He goes on to describe being so hungry that his mother made and cooked a patty of grass for him. Uri devoured every bit and then, unable to process it, he suffered intense diarrhea, having to flee to a maggot-ridden outhouse with no roof and wipe himself with stones because there was no toilet paper. Shulevitz also provides the moments that kept him going. Drawing was his lifeline and his love of the stories his mother told.

“My poor loving mother couldn’t feed my body but she did magnificently feed my mind.”

It is the masterful use of these and other brilliantly written moments that make this a book that readers will never forget. This is a truly inspiring story of deep suffering and amazing survival. It is a look inside a mind and soul who somehow came out the other side of a living hell and triumphed after all. This book is a gift to us all.

Cindy: We know Uri Shulevitz from his long, successful career authoring and illustrating award-winning picture books. Departing from this format, at age 85, he has written a memoir that will find a wide audience age range, starting with the upper elementary students who can handle the painful experiences. For the older students and adults who read this, it will be a book they won’t forget. The painful events and the sweet, simple joys that helped Uri and his family and all of those with shared experiences, are chronicled not just in words, but in Uri’s art. He started to draw at the age of three and encouraged by his parents, continued to use his art as one survival strategy. The scenes include touches of architecture and his surroundings but feature the vivid expressions of the many emotions, illnesses, and deprivations he experienced. Photographs and mementos that miraculously survived the wartime travels are included as well. Farrar, Straus, & Giroux deserve mention for giving this book the quality bookmaking that it deserves. It is a beautiful volume that will become a classic.

This past year as many have endured family loss and true hardships and others have complained about less serious deprivation like toilet paper shortages and mask-wearing, this memoir shows another time in our history in which true suffering was faced, and if you had good fortune or chance, you endured. Ingrid Roper interviewed Mr. Shulevitz for this July 17, 2020 Publisher Weekly article, and at the end, he speaks of what he hopes will help others through our current pandemic:

“My mother’s stories and drawing were a lifeline for me during that time as a refugee,” he says. “And I hope readers will seek their own lifeline now. Everyone is different, and it will be different for everyone. But finding that is critical. And if this book helps them do so, my book will be happy and so will I.”

A Classroom Gem – Dictionary for a Better World

Lynn: What words would you use to describe a better world? That is what Irene Latham and Charles Waters have done in Dictionary for a Better World: Poems, Quotes, and Anecdotes from A to Z (Carolrhoda, 2020). They use words like hope, humility, and empathy as well as more unexpected words like laughter, exercise, and netiquette. The opening page shows an abecedarian style poem using all the words they’ve selected. From there, the book moves to an alphabetic dictionary using the words.

But it is not just a simple definition that the reader finds. Rather, each entry features a poem in a wide-ranging number of forms, a note that identifies the form, an inspiring quote related to the word, a personal reflection on the word by one of the authors, and a suggestion for an activity.

This is a book to be sauntered through, enjoyed, and reflected on. It is a gem for the classroom with a multitude of uses. It is thoughtful, playful, earnest, and challenging. The quotations are wonderfully selected, rich, varied, and thought-provoking and from such diverse sources as Oprah Winfrey, Hippocrates, and a glorious wealth of youth literature. It was a personal delight to find The White Darkness quoted here.

Mehrdokht Amini’s illustrations add a lively interest to each page turn. The excellent back matter includes a wonderful Authors’ Note, a list of the books, poems, and speeches referenced, additional recommendations, an index of the poetry forms used, and the authors’ Gratitude List, one of the activities suggested. The more you look at this treasure of a book, the more wealth you find. Language Arts teachers especially, don’t miss this!

How Kids Can Change the World

Lynn: Let’s set politics aside and admit that our world is in big trouble. Kids know it and are motivated to do something about it. But many also feel overwhelmed by the size of the problems and don’t know how to start. Happily, we have a book to help! You Can Change the World: The Kid’s Guide to a Better Planet (Andrews McNeal, 2020) by Lucy Bell is just what the planet doctor ordered. Practical and encouraging, this is a doable catalog of actions that kids everywhere can put into practice, backed up by solid information, interesting facts, and lists of resources.

The opening introduction says it perfectly:

“When we hear about these problems, most of us want to help, but it’s hard to know where to start. And some of these problems are so big, they can seem impossible for one person to fix. But we can fix them, if we each do our part.”

Bell next lists “Things to remember when you’re changing the world.” These are so encouraging, hopeful, and practical! The list reminds readers that change can’t happen in a day and you can’t change it all at once. She also advises kids not to feel they have to read the book cover to cover, but instead pick a topic they are most interested in and start there. The book is beautifully designed for kids to do just that. The table of contents lists 8 broad topics including plastics, food, energy, animal activism, and more. Each section lists simple easy-to-do activities, and why this matters. Bell includes fascinating facts on Did You Know pages that are easily shared and add to the reader’s knowledge. For example, did you know that there are more plastic flamingos in the world than living ones? Or that 85% of all textiles bought by Americans end up in landfills?

This book is an absolute treasure for libraries, teachers, groups, and individual kids! Librarians, buy two if you can! This book is going to get heavy use. I’m off to try the recipe for toothpaste!

Cindy: Certainly, in a book like this for tweens, I figured Greta Thunberg would make an appearance, and she does, but interspersed throughout the book are many other profiles of inspiring youth who are leading the way. Nine-year-old Milo Cress launched the Be Straw Free campaign in 2011, Adeline Tiffanie Suwana, concerned about the natural disasters hitting her town in Indonesia formed the group “Friends of Nature” at the age of 12 and is making a difference in a multitude of projects, Maya Penn (18) has been designing and selling eco-friendly accessories and clothing for ten years, and 14-year-old Solli Raphael of Australia is a writer and slam poet using his voice to fight for the environment and animal protection among other issues. These are just a few of the youth included in the book who are taking action to change the world. Websites and social media links for these youths’ projects are listed in the backmatter along with listings for other organizations, stores, charities, and parks mentioned in the book.

A few of the tips and ideas will have to be put on hold until the pandemic is under control (many stores don’t allow bringing your own bags or snack counters your own cups right now), but there are plenty of ideas that can be put into practice immediately. Parents who are looking for activities to get kids active off of devices and screens will do well to have a copy ready. The recipes, handicraft projects, and gardening ideas for all seasons indoors and out will provide hours of productive activity while helping to change the world for the better. I defy you to just read a few pages and not get sucked in for a longer read…unless you are immediately spurred to start your own project NOW.

Mexique: A Refugee Story from the Spanish Civil War

Cindy: When my middle school students and I read Alan Gratz’s novel, Refugee (Scholastic, 2017) we were introduced to the St. Louis, a ship of 900 Jewish refugees headed to Cuba in 1939. They did not know that story, and I did not know that another ship, the Mexique, left France two years earlier carrying 456 children, without their parents, for what was hoped to be a temporary exile from the dangers of the Spanish Civil War. Mexique: A Refugee Story From the Spanish Civil War (Eerdmans, 2020) by María José Ferrada is one of the most moving picture books I’ve read and it is a story for adults and teens as well as children. The “Children of Morelia” were bound for Mexico, for what they were told would be the length of a summer holiday, but history would tell another story. Older children on the ship comforted the younger ones during the long, scary voyage, while others played “war” on the ship’s deck. Their holiday would be anything but, and most of them would never see their parents or their country again. Spain, under Francisco Franco’s rule for the next four decades, remained dangerous for those people associated with the Spanish Republic he had defeated. Ferrada’s writing is poetic, and the illustrations haunting, based as they are on historical photographs from the Mexique. Reading this book the week that we learned that the parents of 545 children cannot be located after being separated by our government, is heartbreaking. Mexico took in these Spanish child refugees 83 years ago and when it was not safe to return them to their parents, they gave them homes and kept them safe. We are housing Mexico’s children (and children from other Latin and South American countries) in dog kennels in 2020. This story should be required reading for the adults “leading” our country today.

Lynn: Like Cindy, I was unaware of this chapter in history and grateful once again for the power of picture books. For her illustrations here, Ana Penyas worked from period photographs using a dark palette with an occasional and dramatic highlight of red. The result is a grim and foreboding mood foretelling the children’s future without their families. One of the most jarring two-page spreads juxtaposes scenes of the war in Spain and the children “playing war” on board the ship. That one is haunting my dreams and will for days to come.

Ferrada includes an Afterword which provides information about the fates of the young passengers destined to remain in Mexico far longer than anyone had imagined. This powerful book would be an excellent choice to use in a secondary classroom studying this period in history.

It Took the World to Rescue All Thirteen – A Riveting Account

Lynn: Thai-American author Christina Soontornvat was visiting her family in Thailand not far from the Cave of the Sleeping Lady when the news broke about the trapped soccer team. She and most of us throughout the world watched with our hearts in our mouths as the 18-day rescue event dominated the news. Soontornvat, a mechanical engineer and science educator, realized after the rescue that she wanted to know more about this incredible effort and to share the story.

All Thirteen: The Incredible Cave Rescue of the Thai Boys’ Soccer Team (Candlewick, 2020) is a masterful account—gripping, suspenseful and inspiring, and almost impossible to put down. But Soontornvat does much more than simply relate the events. She brings a wealth of background and related information that makes this book an outstanding reading experience. Without ever slowing the narrative, readers learn about the country of Thailand, its culture, religions, food, and everyday life. We learn about the geology of the cave system, climate and weather, the physical barriers facing the rescuers, and the difficult art of cave or sump diving. And especially we learn about the hundreds of people whose heroic efforts resulted in the rescue of the boys, all of whom we come to care about. It is no small feat to maintain a real sense of suspense when readers already know the outcome but this book achieves that wonderfully.

The book itself is a terrific example of great book design and production too. It is a pleasure to read with clearly laid out text, carefully managed sidebars, and beautiful color photographs.

This really is a shining example of excellent nonfiction writing. Soontornvat’s prose is clear, understandable, and immediate. The science, as is all the information, is woven into the suspenseful story seamlessly. Readers will come away with a real understanding of all the many factors that made the task and the rescue so remarkable. Soontornvat’s appreciation and admiration for the rescuers, and the Wild Boars and their coach, is clear and readers will end the book feeling the same. There is extensive and excellent back matter, as well, including a section of what happened with the team and their travels after the rescue.

Cindy: Shortly after the Wild Boars were rescued I was booktalking Trapped: How the World Rescued 33 Miners from 2,000 Feet Below the Chilean Desert to my middle school students. That book always circulated well after booktalks, but these students no longer had knowledge of this 2010 event. They had heard of the Thai cave soccer team rescue and I was able to tell them that the same author, Marc Aronson, was hard at work on a quick publication about this amazing rescue. Rising Water: The Story of the Thai Cave Rescue (Atheneum, 2019) will pair nicely with Soontornvat’s excellent book. All three of these titles highlight the cooperation between locals and people from all over the world. They celebrate how we can overcome tragedy and work together to achieve insurmountable odds. And the booktalking and the connections all worked. Both of my copies of Trapped went out that day and I had a list of students who wanted Rising Water as soon as it published. All Thirteen will be just as popular. Success stories all around!

Absolutely Everything About How We Got to the Moon

Lynn: This is a soaring triumph—stellar in every way!

John Rocco set out in How We Got to the Moon: The People, Technology, and Daring Feats of Science Behind Humanity’s Greatest Adventure (Crown, 2020) to explain how every part of the Apollo/Saturn machine worked and how it was built. He especially wanted to show young readers the science and problem solving that was involved along the way. And he wanted to introduce some of the thousands of unsung people who contributed to this monumental achievement. He does all that in this fascinating, detailed, and visually magnificent chronicle.

He begins with the origins of the Space Race in 1957 and a brief history of rocketry and then plunges into the nitty-gritty of designing, building, testing, and flying to the moon with all the steps, problems, and triumphs along the way. As someone who has read many histories of this period AND lived through it, the early history was bit slow but I understand the necessity for young readers. The book becomes deeply interesting quickly in Chapter 2 with the discussion of the process of designing a rocket.

While this is a solid historical account of the Apollo effort, the focus is on the science, technology, and engineering achievements. Rocco’s prose is clear and understandable as he carefully distilled oceans of information for young readers. He does an excellent job of providing a thorough explanation without overwhelming the text. The tone is just right: informative, concise, and filled with wonderful tidbits of related topics to heighten interest even for those only generally interested in the technical details. Space food, the disgusting but imperative issue of going to the bathroom in space, the history of the “human computers,” and, something I always wondered about, what are all those people in the command center doing at all those monitors.

A wonderful feature of the book is the many sections that show some of the scientific problems faced along the way and the solution. Often these also include a simple experiment that kids can do that demonstrates the science behind the solution.

A highlight for me is the many short biographical inserts that feature some of the people involved in the effort who contributed important ideas, developments, or work along the way. So many of these people were critical to the success of the mission but received very little public attention. Rocco includes people like Ann Montgomery, an engineer, and the only woman allowed on the launchpad, Charles Draper who developed the Guidance system, or Eleanor Foraker, the Seamstress Manager for the Apollo Spacesuits.

Rocco explains in an Author’s Note in the back matter that although there are a plethora of photographs, blueprints, and drawings available, he chose to create all the illustrations himself. He did that in order to make the concepts more accessible and understandable for readers without being overwhelmed by extraneous details. He also chose to use color as most of the original photographs and visual materials are black and white. The result is visually stunning as well as being deeply absorbing.

I read this in galley with only some of the planned back matter included. The Note on the Research was extremely interesting and even in galley form the visual impact of the book is outstanding. I am eager to see it in the finished copy. This is a must purchase for every library collection and a perfect choice as a gift book for every science-loving student.

Stories That Need to Be Told – Picture Books Take Up the Challenge

Lynn and Cindy: One of the things we love about picture books is that authors and illustrators often take up the challenge of bringing a little known story to young readers. It is so important to keep our history and our stories alive! As reviewers, we also love that we get the benefit of these stories too. Here are two new picture books that do this important work—and do it wonderfully.

Lynn: Decades before Rosa Park refused to sit in the back of a bus, another brave determined woman demanded her rights on a streetcar in New York. Beth Anderson tells her inspiring story in Lizzie Demands a Seat: Elizabeth Jennings Fights for Streetcar Rights (Boyds Mills/Calkins Creek, 2020). It was 1854 in New York City and Elizabeth Jenkins, a teacher and organist from a wealthy family, was on her way to church. When the horse-drawn streetcar arrived it had empty seats and Lizzie and her friend hurried to board. But the conductor would not allow them on, telling them to wait for the car for “her people.” Lizzie had no intention of waiting. There was no law keeping anyone of color from riding the streetcars although there was a custom of not riding if a white passenger objected. When no one on board objected, Lizzie persisted and the conductor physically threw them from the car. Lizzie, whose family were leaders in their community and well connected, took the Third Avenue Streetcar company to court where, with her attorney Chester A. Arthur, she won her case, paving the way for people of color to fight for their rights to ride then and in the future.

The text is wonderful, lively, and compelling and I’m truly sorry it has taken me so long to learn about Elizabeth Jennings. The author notes that the “dialogue closely follows her account as it appeared in the newspapers of the time,” and this gives the story a very immediate and personal feel that will appeal to kids. The back matter is outstanding too with fascinating additional historical material on Elizabeth Jennings and her case in an Author’s Note, information on the research. a bibliography, a list of further readings, and a Note from the Illustrator.

And speaking of illustrators! I am a big admirer of E.B. Lewis’s illustrations and here they add wonderfully to the overall impact of the story. Lewis, who usually uses a muted palette, chose intense colors and the result is a wonderful sense of the drama of the event. In an artist’s note, Lewis says, “I wanted to go all out in the way of color—to stretch my own internal prism.” He even had to purchase colors he had never used before. I’m so glad he did as the result is beautiful and effective!

Once again a picture book has introduced me to a memorable and important historical person that I had never heard of before. I’m beginning to think that we should give up textbooks and flood our classrooms with shelves of outstanding nonfiction picture books!

Cindy: Another African American girl who took an important seat is featured in A Ride to Remember (Abrams, 2020) by Sharon Langley and Amy Nathan. Occasional peaceful protests at the Gwynn Oak Amusement Park in Baltimore, Maryland were held for a decade asking for the right for people of color to visit the park. Nothing changed. But after new segregation laws were passed in Baltimore in 1962, a big protest was planned at the park for Independence Day, July 4, 1963. Arrests were made but the protest continued a few days later. When pressure mounted as the publicity surrounding the protests spread, change finally occurred and the park officials corrected their policy. On August 28, 1963, the park was opened to everyone. Sharon Langley’s parents bought tickets and they were the first family of color to walk through the gates. Sharon was photographed riding a horse on the carousel, a photo that ended up in the newspapers the next day. The carousel is now turning its circles on the National Mall in Washington, D.C. and Sharon Langley’s name is on a horse’s saddle and horseshoe.

Co-author Amy Nathan wrote a book for teens and adults Round and Round Together: Taking a Merry-Go-Round Ride into the Civil Rights Movement that also includes the other historic event of 8-28-63, Martin Luther King, Jr.’s “I Have a Dream” speech at the March on Washington. Award-winning illustrator Floyd Cooper’ artwork helps tell this important story in moving paintings.